On first looking into Chapmans Homer Op.82 - Score


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Keats, of course, may not have had Herschel in mind, but it was the rarity of such a discovery and the emotions which would overwhelm the discoverer that counted. Nothing less would give the reader an adequate idea of what happened to Keats when he "heard Chapman speak out loud and bold.

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The second simile used by Keats is unquestionably the most impressive part of the sonnet. It is made up of a number of details that fit together into an artistically pleasing whole. Cortez is "stout," that is, fearless, and he is alert, "with eagle eyes.

His men stand about him in silent awe, looking "at each other with a wild surmise. They are so choked with emotion that they cannot speak. This is one of the great moments of history, and Keats boldly appropriates it to express his own feelings of having made a thrilling discovery beyond which there may lie countless other similar discoveries as he increases his acquaintance with the world of poetry. The two similes that swam "into his ken" as the poem formed itself in his mind are in keeping with the language of travel and discovery that he uses in the octave of his sonnet.

They give it a unity of imagery that makes of the whole a tightly knit statement of what was for Keats, ardent lover of poetry that he was, a profoundly felt experience. A Petrarchan sonnet must not only be unified, like any other poem, but the thought must also make a change of direction, or "turn," at the beginning of the sestet. Keats' turn is his two comparisons taken from astronomy and exploration.

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Unity and coherence are assured not only by carrying the idea of discovery all the way through the poem, but also by using the linking words "Much" and "Oft" to begin the two halves of his octave and the word "Then" to begin his sestet. Keats, in spite of his limited experience in sonnet writing before "Chapman's Homer," composed what is probably one of the finest Petrarchan sonnets in English poetry. In his excitement, Keats substituted the name of Cortez for Balboa in his sonnet.

In his school days he had read about Cortez' conquest of Mexico and Balboa's discovery of the Pacific Ocean on an expedition in Darien, an old name for part of Central America, in William Robertson's History of America. In search of a historical example of an exciting discovery, Keats put Cortez where historically Cortez never was and made him seem to be the discoverer of the Pacific Ocean.

It is not known whether Keats or any of his friends ever became aware of the error.

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It is a slight blemish in a fine poem, but, as many critics have pointed out, in poetry one looks for truth in human nature rather than for historical truth. Ideally, both should go together. Previous John Keats Biography.

Keats - On First Looking into Chapman's Homer

Next "When I Have Fears". Removing book from your Reading List will also remove any bookmarked pages associated with this title. And that enthusiasm brings us along for the ride. Maybe you didn't eat the paste like we did, but you probably remember all the crafty fun of kindergarten. Cut the shapes, color the paper—everything was about using your imagination.

The word got thrown around a lot, especially by this guy , but, by the time we got to second grade or so, all that talk died down and it was all long-division and topic sentences. It's a shame that imagination has been branded as a kid's idea. For the Romantic poets, imagination was everything. It was the human capacity to create, discover, invent. Imagination was really just another way of saying intelligence.

Imagination is also tough. In the Hebrew Bible, even God needed a break after six days of creating the world.


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Imagination takes a tremendous amount of energy—energy that is sparked by imaginative works. Come on, you've listened to your favorite song and then tried for three weeks to write one of your own. You even tried to learn guitar because you saw your friend in the talent show.

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You've written Twilight fan fiction, or maybe knitted a Team Edward tea cozy. Fine, maybe that's just us, but you get the point. It's about being captivated by something amazing and pushed by it to create something amazing yourself. So, dive right in and see what you can take from Keats' inspiration and apply it to your own. All rights reserved. Cite This Page.

On first looking into Chapmans Homer Op.82 - Score On first looking into Chapmans Homer Op.82 - Score
On first looking into Chapmans Homer Op.82 - Score On first looking into Chapmans Homer Op.82 - Score
On first looking into Chapmans Homer Op.82 - Score On first looking into Chapmans Homer Op.82 - Score
On first looking into Chapmans Homer Op.82 - Score On first looking into Chapmans Homer Op.82 - Score
On first looking into Chapmans Homer Op.82 - Score On first looking into Chapmans Homer Op.82 - Score
On first looking into Chapmans Homer Op.82 - Score On first looking into Chapmans Homer Op.82 - Score
On first looking into Chapmans Homer Op.82 - Score On first looking into Chapmans Homer Op.82 - Score
On first looking into Chapmans Homer Op.82 - Score On first looking into Chapmans Homer Op.82 - Score

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